The
Labyrinth at Knossos
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 According
to legend, Thesesus fought the Minotaur, a half-man, half-bull
monster, in the depths of the labyrinth. (Copyright
Lee Krystek, 2001)
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According to ancient greek myths, the great greek
King Aegeus was forced to pay tribute to King Minos of the Minoans,
whose kingdom was on the island we now call Crete. Every year
the tribute included seven young men and seven young maidens.
Underground far below King Minos' palace at the city of Knossos
lay a huge maze built for him by the
inventor and master architect Daedalus. Inside the maze Minos
kept a monster called the Minotaur. The Minotaur was a hideous
creature that was half man and half bull. The fourteen young
people from Greece would be let loose into the maze, the labyrinth,
where they would become hopelessly lost and eventually be eaten
by the Minotaur.
According to the legend, King Aegeus' son, Thesesus,
decided to volunteer as one of the sacrificial victims, so that
he could attempt to kill the Minotaur. Thesesus was successful.
He slew the Minotaur, then used a trail of twine he'd started
laying down at the entrance of the labyrinth to find his way
out of the maze.
So how much of this incredible tale is based on
reality? Ancient writers from Roman times argued that the Labyrinth
was a set of winding caves they knew were located on the south
side of Crete at Gortyna. In the early 19th century C.R. Cockerell
visited these caves and wrote in his journal that he and his
party entered the cavern through an inconspicuous hole in the
hillside of Mount Ida and unwound a length of twine to keep
from getting lost. "The windings," wrote Cockerell,
"bewildered us at once, and , my compass being broken,
I was quite ignorant as to where I was. The clearly intentional
intricacy and apparently endless number of galleries impressed
me with a sense of horror and fascination I cannot describe.
At every ten steps one was arrested, and had to turn to right
or left, sometimes to choose one of three or four roads. What
if one should lose the clue!"
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A
sketch of the Gortyna cavern as seen in the 19th century.
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The caves at Gortyna, as much as they might seem
to fit the legend are in the wrong place as the Labyrinth was
supposedly located at Knossos. Some writers have speculated
that another similar set of caves, now lost, near Knossos served
as the Labyrinth, but modern archaeologists have come to another
conclusion.
Archaeologists have found no evidence that a horrible
half-man, half-bull-like creature existed at Knossos. However,
they have found what looks like a labyrinth. The labyrinth wasn't
built in a cave below the palace, though. It was the
palace.
The Minoans are a mysterious people. We do not
know where they came from, but they seemed to have arrived in
Crete about 7000 BC. By all indications the Greeks feared the
Minoans, but the Minoans did not seem like a warlike people
(their cities had few fortifications). Little is known about
the Minoan's religion or their form of government. We cannot
read the writing they left behind. In fact, researchers have
been unable to figure out even by what name the Minoans called
themselves. The term Minoan comes from the legend of King Minos
and was coined by archaeologists because they needed a term
to describe their discoveries at Knossos.
If the Minoans had power it must have come from
trade, not war. They exchanged goods with peoples from all around
the eastern Mediterranean. Ostrich plumes came from northern
Africa, alabaster from Egypt, gold and silver from the Aegean
Islands and ivory from Syria. They alll passed through Minoan
hands, making Mionan profits, on their way to distant destinations.
The wealth from the trade financed a number of
palaces on Crete, the largest of which was the palace at Knossos.
Archaeologists are not exactly sure who lived in the Knossos
palace. However, they have uncovered a quantity of ceremonial
and religious imagery there. This leads some to believe that
the chief occupant of the building was a 'priest-king' who had
the dual function of leading the state and the religion. Other
scholars see the palace as a only a temple. Others as a center
for trade.
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This
siliver coin from Knossos dated at around 500 B.C. shows
the Minotaur on one side and the Labyrinth on the other.
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Whatever the palace's function, the building itself
was enormous. It contained hundreds of rooms at many levels
grouped around a central courtyard. The palace had storerooms,
bathrooms, private apartments, public rooms, workshops and even
what appears to be a throne room. Some of the storerooms contained
dozens of huge jars, called pithoi, which were used to
contain olive oil. According to some estimates 60,000 gallons
of olive oil could be put in these, which is a testament to
the Minoan's wealth.
While there is no archaeological evidence of a
labyrinth, the palace itself to a visitor must have seemed like
an intimidating maze of corridors, staircases and rooms. This
is probably where the legend of the labyrinth began. An early
version of the palace was started around 1900 BC, but was demolished
for a grander one in 1700 BC. Unlike the Greeks, the Minoans
did not consider symmetry an important attribute of architecture.
Rooms and halls seem to be added almost at random, though they
were undoubtedly placed with a practical purpose in mind. The
lack of symmetry does not mean the palace was ugly. Each room
had its own beauty and many were decorated with frescoes. The
palace reflected the Mnoans practicality. Much of the structure
and columns were made of wood, which was more likely to survive
an earthquake than stone. The palace had a sanitary drainage
system to take wastewater away from the apartments. The drainage
channel was even designed with zigzags and basins to slow down
the water to prevent overflows. Many of the rooms are partly
underground to keep them cool in the summer and warm in the
winter. Colonnaded porches allow cool breezes in, but kept out
the hot sun.
If the palace is the origin of the labyrinth myth,
where did the legend of the Minotaur come from? We know that
the Minoans had a fascination for bulls. Their most mysterious
art shows human figures, some of them girls, grabbing the horns
of a bull and leaping over it. Archaeologists have wondered
if this strange and dangerous activity really did take place.
If it did, was it merely a sport, or did it have some religious
significance? Recent archaeological excavations have shown an
arena-like structure outside one of the Minoan palaces that
might have been the site of these mysterious activities. Whatever
the significance of the bull-leaping, it was probably the genesis
of the Minotaur myth.
Why bulls? Crete is subject to earthquakes. Perhaps
the violent and unpredictable movements of the earth seemed
to them like the temperamental acts of a creature such as a
bull. The Greek god Poseidon was known as the 'earth-shaker'
and was connected to bulls, so perhaps the Minoans were worshiping
an earlier form of this god in their ceremonies.
Archaeologists
think that the end of the Minoan culture came about 1450 BC.
Seventy miles away, a volcano exploded on the island of Thera.
This caused a huge tidal wave to hit Crete which destroyed many
major buildings and probably their fleet of ships. The wave
ended the Minoan's ability to conduct trade, causing them to
quickly lose power in the eastern Mediterranean.
Some scholars suggest that the end of the Minoan
culture may have inspired stories about the continent of Atlantis.
The story of the destruction of a powerful and sophisticated
culture by water in one night seems extremely similar, though
the dates and location must have been exaggerated over time.
Copyright Lee Krystek
2001. All Rights Reserved.