The Mausoleum at Halicarnassus
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The
Mausoleum.
Copyright Lee Krystek,
1998
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In 377 B.C., the city of Halicarnassus was the capitol of a
small kingdom along the Mediterranean coast of Asia Minor. It
was in that year the ruler of this land, Hecatomnus of Mylasa,
died and left control of the kingdom to his son, Mausolus. Hecatomnus,
a local satrap to the Persians, had been ambitious and had taken
control of several of the neighboring cities and districts.
Mausolus in his time, extended the territory even further so
that it finally included most of southwestern Asia Minor.
Mausolus, with his queen Artemisia, ruled over
Halicarnassus and the surrounding territory for 24 years. Mausolus,
though he was descended from the local people, spoke Greek and
admired the Greek way of life and government. He founded many
cities of Greek design along the coast and encouraged Greek
democratic traditions.
Then in 353 B.C. Mausolus died, leaving his queen
Artemisia, who was also his sister (It was the custom in Caria
for rulers to marry their own sisters), broken-hearted. As a
tribute to him, she decided to build him the most splendid tomb
in the known world. It became a structure so famous that Mausolus's
name is now associated with all stately tombs through our modern
word mausoleum. The building was also so beautiful and unique
it became one of the Seven Wonders of
the Ancient World.
Artemisia decided that no expense was to be spared
in the building of the tomb. She sent messengers to Greece to
find the most talented artists of the time. This included Scopas,
the man who had supervised the rebuilding of the Temple
to Artemis at Ephesus. Other famous sculptors such as Bryaxis,
Leochares and Timotheus joined him as well as hundreds of other
craftsmen.
The tomb was erected on a hill overlooking the
city. The whole structure sat in an enclosed courtyard. At the
center of the courtyard was a stone platform on which the tomb
itself sat. A staircase, flanked by stone lions, led to the
top of this platform. Along the outer wall of this were many
statues depicting gods and goddess. At each corner stone warriors,
mounted on horseback, guarded the tomb.
At the center of the platform was the tomb itself.
Made mostly of marble, the structure rose as a square, tapering
block to about one-third of the Mausoleum's 140 foot height.
This section was covered with relief sculpture showing action
scenes from Greek myth/history. One part showed the battle of
the Centaurs with the Lapiths. Another depicted Greeks in combat
with the Amazons, a race of warrior women.
On top of this section of the tomb thirty-six
slim columns, nine per side, rose for another third of the height.
Standing in between each column was another statue. Behind the
columns was a solid block that carried the weight of the tomb's
massive roof.
The roof, which comprised most of the final third
of the height, was in the form of a stepped pyramid. Perched
on top was the tomb's penultimate work of sculpture: Four massive
horses pulling a chariot in which images of Mausolus and Artemisia
rode.
Soon after construction of the tomb started Artemisia
found herself in a crisis. Rhodes, an island in the Aegean Sea
between Greece and Asia Minor, had been conquered by Mausolus.
When the Rhodians heard of his death they rebelled and sent
a fleet of ships to capture the city of Halicarnassus. Knowing
that the Rhodian fleet was on the way, Artemisa hid her own
ships at a secret location at the east end of the city's harbor.
After troops from the Rhodian fleet disembarked to attack, Artemisia's
fleet made a surprise raid, captured the Rhodian fleet, and
towed it out to sea.
Artemisa put her own soldiers on the invading
ships and sailed them back to Rhodes. Fooled into thinking that
the returning ships were their own victorious navy, the Rhodians
failed to put up a defense and the city was easily captured
quelling the rebellion.
Artemisa lived for only two years after the death
of her husband. Both would be buried in the yet unfinished tomb.
According to the historian Pliny, the craftsmen decided to stay
and finish the work after their patron died "considering that
it was at once a memorial of their own fame and of the sculptor's
art."
The Mausoleum overlooked the city of Halicarnassus
for many centuries. It was untouched when the city fell to Alexander
the Great in 334 B.C. and still undamaged after attacks by pirates
in 62 and 58 B.C.. It stood above the city ruins for some 17
centuries. Then a series of earthquakes shattered the columns
and sent the stone chariot crashing to the ground. By 1404 A.D.
only the very base of the Mausoleum was still recognizable.
Crusaders, who had occupied the city from the
thirteen century onward, recycled the broken stone into their
own buildings. In 1522 rumors of a Turkish invasion caused Crusaders
to strengthen the castle at Halicarnassus (which was by then
known as Bodrum) and much of the remaining portions of the tomb
was broken up and used within the castle walls. Indeed sections
of polished marble from the tomb can still be seen there today.
At this time a party of knights entered the base
of the monument and discovered the room containing a great coffin.
The party, deciding it was too late to open it that day, returned
the next morning to find the tomb, and any treasure it may have
contained, plundered. The bodies of Mausolus and Artemisia were
missing too. The Knights claimed that Moslem villagers were
responsible for the theft, but it is more likely that some of
the Crusaders themselves plundered the graves.
Before grounding much of the remaining sculpture
of the Mausoleum into lime for plaster the Knights removed several
of the best works and mounted them in the Bodrum castle. There
they stayed for three centuries. At that time the British ambassador
obtained several of the statutes from the castle, which now
reside in the British Museum.
In 1846 the Museum sent the archaeologist Charles
Thomas Newton to search for more remains of the Mausoleum.
He had a difficult job. He didn't know the exact location of
the tomb and the cost of buying up all the small parcels of
land in the area to look for it would have been astronomical.
Instead Newton studied the accounts of ancient writers like
Pliny to obtain the approximate size and location of the memorial,
then bought a plot of land in the most likely location. Digging
down, Newton explored the surrounding area through tunnels he
dug under the surrounding plots. He was able to locate some
walls, a staircase, and finally three of the corners of the
foundation. With this knowledge, Newton was able to figure out
which plots of land he needed to buy.
Newton then excavated the site and found sections
of the reliefs that decorated the wall of the building and portions
of the stepped roof. Also a broken stone chariot wheel, some
seven feet in diameter, from the sculpture on the roof was discovered.
Finally, he found the statues of Mausolus and Artemisia that
had stood at the pinnacle of the building.
Today these works of art stand in the Mausoleum
Room at the British Museum. There the images of Mausolus and
his queen forever watch over the few broken remains of the beautiful
tomb she built for him.
Seven
Wonders Tour Virtual Postcards
Copyright Lee Krystek
1998. All Rights Reserved.